My work takes two very different tangents.

The two-dimensional body of work investigates a broad approach to surface and the gestures it reveals, blurring the distinction between two and three dimension.

What emerges appears to be an almost organic revelation. Recent works have transitioned from purely abstract compositions to those that include figurative elements. Regardless of the approach, the surface becomes an expressive gesture of its own beyond a mere platform as the foundation of the artwork. Combined with other applied elements (fabric, rope, yarn, thread, paint etc.), the artworks are infused with a dynamic of color, dimension, ambiguity and tension. Within this order of randomness an aesthetic emerges that embraces the various parts to manifest a unified whole.

A separate and very different body of work is represented by three dimensional works incorporating found or repurposed elements. The result encourages contemplation beyond the intended uses to consider alternate meanings and offering commentary on contemporary society with a sense of wit.